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Stellenbosch Libertas Choir of South Africa

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Conductor: Johan de Villiers


Sangena
arr. Mzilikazi Khumalo (b.1932)

Playing time: 2:12
Download time
4 sec. or less with T1 or T3
20 sec. with ISDN
5 minute with 56K

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A traditional Zulu song with which a choir introduces itself to the audience: "We are coming in, oh Mother!"

Come Colours Rise
Grant McLachlan (b.1956)

Playing time: 4:35

Download time
6 sec. or less with T1 or T3
34 sec. with ISDN
14 minute with 56K

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A contemporary South African Christmas song, with words by Frank Barry, set to music by the Sough African composer Grant McLachlan.

Himne
Roelof Temmingh (b.1946)

Playing time: 6:40

Download time
11 sec. or less with T1 or T3
43 sec. with ISDN
17 minute with 56K

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This work was composed on commission for the Libertas Choir by the South African composer Roelof Temmingh. The text consists mainly of repetition of the Latin words "glorificamus" (we glorify), "adoramus" (we worship) and "benedicimus" (we praise). These are strong rhythmic sections with a slight African character, interjected by a 25 note cluster on the word "Alleluia."

Akhala Amaqhude Amabile
arr. Mzilikazi Khumalo (b.1932)

Playing time: 3:44

Download time
5 sec. or less with T1 or T3
37 sec. with ISDN
10 minute with 56K

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This arrangement by the South African composer Mzilikazi Khumalo combines two Zulu folk songs into a single choral work. Both pieces are "wake-up" songs, inviting the people to get up and start the day. For people who had no time-pieces of any kind, the crowing of the cock at daybreak was a vitally important signal, serving as a communal "alarm clock." The first of the two songs appeals to the menfolk to get up, since the cock is crowing loudly and beating its wings. The second song appeals to the womenfolk: "get up, there is no water in the house!" The cock generalizes the "wake-up" call in a wider context to all the African peoples of our country as a whole... "Wake up, Africans! The cock is crowing..." The recurring call of "Kikilikigi" imitates the sound made by a Zulu rooster.

About Johan de Villiers

John De Villiers is a full-time professor of Mathematics at the University of Stellenbosch, South Africa. During his eight-year tenure as conductor of the Stellenbosch University Choir (1977-1984), he undertook extensive overseas concert tours to England, Austria, Germany and Israel. Johan researched choral training and conducting techniques at Northwestern University in Evanston, USA and studied choral conducting under Lorna de Varon at the New England Conservatory of music in Boston and the University of Wisconsin, Madison, under Robert Fountain.

Johan founded the Libertas Choir in 1989 to engender a new spirit of trust in a country with historically divided communities. For his contribution he received a merit award for outstanding cultural service from the Western Cape Government.

Stellenbosch Libertas Choir

The Libertas Choir was founded in January 1989, well before the advent of the "New South Africa" - a time in the history of South Africa when multi-racial groupings were still frowned upon. The organization, "Women for South Africa", approached Johan de Villiers with the request to form a choir which would, through music, foster peace, goodwill and reconciliation across racial and cultural divides.

The Libertas Choir is richly textured - its members come from widely contrasting backgrounds, speak a variety of languages and represent a kaleidoscope of the many cultures and communities that make up South African society.  Its repertoire reflects this diversity and ranges from major choral works, such as the great oratorios and requiems, to indigenous African folk music. The choir is a keen supporter of new material and introduces the audience to new works and indigenous music for which no scores exist. An example of such a new works and indigenous music for which no scores exist. An example of such a new work in the present program is "The Road to Jerusalem" - a medley arrangement of indigenous church music which is performed true to its original style.

The Libertas Choir has come to be regarded as embodiment of the "Rainbow Nation in Harmony." Selection of choir members is not done merely on the basis of formal musical training, but also takes into account natural musicality - a large number of the members cannot read music. Participation in the Choir exposes members to unique educational opportunities and widens cultural horizons.