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Interview with Tatiana Larionova (Piano)

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The Winner of 2007 International Web Concert Hall Competition

(Honorary Mention)

 

Tatiana Larionova (Russia - Piano)

Tell us about your musical background:

I began the piano at age five, and my first teacher was my mother, the only musician in my family. We had an old piano at home, and I was very curious about it. When I was eleven, I entered the Central Music School for gifted children in Moscow. I was to leave my family and live in Moscow all alone. This was most challenging experience for me, but it also offered me indispensable experience for preparing the future. Moscow always was a very important cultural center. In Moscow, I had numerous opportunity to hear outstanding musicians performing and to have lessons with the best teachers of our time.

Who were your teachers?

I think I was very fortunate with my teachers because all of them were extraordinary musicians and wonderful individuals. I started my music education in Byelorussia where my teacher was Natalia Golubeva. Her experience and infinite patience working with children helped me to overcome difficult exams for the Central Music School of the Tchaikovsky Conservatory. I continued my study with Yuri Slesarev, a brilliant Russian pianist. The most importantly, I would say it was the meeting of professor Victor Merzhanov in 1997. Student of Samuil Feinberg, continuer of the tradition of Rachmaninov and Scriabin, he can be considered one of the greatest representatives of Russian pianism.

My last school was the International Center for Music at Park University in the United States, where I studied with Stanislav Ioudenitch, the winner of 2001 Van Cliburn International Piano Competition, who not only helped me to develop my own performing style and find new ideas, but also became a great friend.


How did your teacher influence you as a musician?

Maestro Merzhanov helped me to understand how to work with the music piece. Being incredibly attentive to the score, to the ideas of composer he could always notice something very personal in his student. He plays with wonderful sound, rich and colorful, beautiful phrasing and rubato. I was always trying to achieve that in my own playing. Studying with Stanislav Ioudenitch opened a new horizon for me. You simply can’t remain indifferent when you hear him playing! His performances are always highly professional and innovative at the same time. He taught me to be more demanding, but also be bold and decisive.

How did your friend, parents, etc. influence you as a musician?

I’m very grateful to my mother. She taught me to work, to practice, to be persistent and to achieve everything possible. Another person, who influenced me as a musician was my husband, Davide Cabassi. He is a talented pianist and a special person. His opinion, his precious advices and his support are very important to me. It’s always a great present for me to hear him playing and to have an opportunity to play for him.

 

Do you have a practicing method you follow everyday?

Usually, I start my work from examining the music score. This helps me to understand the scope of what I must do, to be able to dissect and to focus. Then, I practice technically difficult passages and the exercises based on the material of the piece. Of course, the emotional part is also important. Therefore, I also practice various parts from the score expressing my ideas and personal feelings. Usually, I complete my practicing by playing the whole piece at the end to measure how much I have achieved on that day.

What period music do you enjoy playing the most and why?

It depends on many things… Sometimes I organize the program to demonstrate different styles, including compositions of various period and countries. Sometimes I concentrate on the music of certain composer. I enjoy playing different music; I like Beethoven, Chopin, Brahms, Liszt. I think romanticism is my favorite. My interests, events of my life, people I met, places I visited can influence the choice of repertoire too. It’s very important for me to be delighted with the music I select.

How do you select repertoire for your concerto performance?

In this period I’m particularly enthusiastic about the concertos of Russian composers. I’m discovering the power and beauty from their music. My next project is the Third Concerto by Prokofiev.

What do you hope to accomplish as a musician?  Music can express and display unimaginable beauty… would be great if my concerts could help people to understand that...

Do you like any other forms of art?   I like theatre and adore literature. My favorite writer is Nabokov. I’ve read almost all his novels, and I’m researching the subject.

What do you do for hobby, if any?   Reading and collecting exotic plants.

What was the music that changed your life?    Chopin’s 24 Preludes.

What was the event that changed your life?

Meeting my husband Davide and our marriage. We met in America during his piano concert tour. He is a good friend with my teacher, Stanislav Ioudenitch. Davide is my home and family.

In your opinion, what are the characteristics of a good performer?

Understanding of the composer’s ideas, respecting the style, and understanding of the score.

What are some of your upcoming musical project?

CD recording of Six Moments Musicaux and Variations on a theme by Corelli by Rachmaninov. Hope it’s going to happen very soon.

On be half of the Web Concert Hall, we would like to thank you for your time and we wish all the
success.
 


With Stanislav Ioudenitch and my friend Gulrukh

Interviewed by Webconcerthall November, 2007


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